By David Tresilian
This brief ebook deals a special evaluation of contemporary Arabic literature, targeting advancements during the last fifty years and supplying a consultant to the literary panorama, indicating the most important landmarks within the form of authors, rules, and debates.
This is the second one of 2 titles released to release a brand new sequence delivering perception into Arabic advances in technology and tradition. geared toward the overall reader, the titles are illustrated and comprise glossaries, indices, and proposals for extra reading.
David Tresilian has taught at Columbia college and the yankee collage in Cairo. He has been on the American collage of Paris given that 1999.
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Extra info for A Brief Introduction to Modern Arabic Literature
Ge©hn] ëElnhn, mhd’ ll. wn o. ²o. n. . k[oÅoi mÓqon, Áv] ¢. d. h. p san p. ª. [cq]»na d±an ¯kan. [en fr. 56–63 M–W From Crete mighty Idomeneus wooed her, Deucalion’s son, offspring of glorious Minos; he sent no proxy as suitor, but himself with a many-benched black ship came over the Ogylian sea through the dark waves to the house of shrewd Tyndareus, so that he could see Argive Helen, and not merely hear from others the story that had already reached the whole splendid earth. 18 The juxtaposition ìIdomen ov – doito – koÅoi at the end of lines 16, 21, and 22 respectively, suggests Idomeneus’ etymology as well as an important distinction between Helen’s mÓqov and e²dov.
A. k»v, (‘for the renown of the woman was great’ fr. 9 M–W), while the fame of Helen’s beauty that is known everywhere in the world recalls mÓqon, Áv] ¢. d. h. p san p. ª. [cq]»na d±an ¯kan. [en (‘the story that had already reached the whole splendid earth’ fr. 63 M–W). The poetic renown of Helen’s beauty, which was praised in the Catalogue, has been spread all over the world and reached Paris’ ears, and the Ovidian diction underpins the dynamics of a genre that thematized the praise of female beauty.
469–70= Od. 17–18 Ajax, who was the best in beauty and stature of the other Danaans after the blameless son of Peleus. What is compared with Achilles is Ajax’s physical appearance (e²dov, dmav) and deeds (rga). By contrast, there is no mention of Ajax’s appearance in his entry in the Hesiodic catalogue of Helen’s suitors (fr. 44–51 M–W). 24 Helen Hesiod says that Ajax was an excellent warrior (mÛm. htov polem. s. tv, fr. 10 His gifts would count, but his appearance is irrelevant. What is more, Ajax as a warrior is ineffective in wooing Helen since wooing on credit is not the same as giving gifts.
A Brief Introduction to Modern Arabic Literature by David Tresilian